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timidity but not using -Or) won't have any music, because surprise, two programs trying to open /dev/dsp will fail. It also means that games spawning an external process in direct output mode (e.g. This means you cannot listen to your mp3 collection while in a game. Furthermore, opening the OSS interface blocks other applications when you do not have hardware mixing. Which means I get excessively loud sound output, and note that gamers often use headphones instead of speakers, usually which have no volume control either, and an uncontrollable sound level in the ears is hardly what I need. (No, LD_PRELOAD is not gonna work with static binaries.) The ALSA mixing layer might mitigate missing volume control or hardware mixing, but with the OSS interface this is not the case. Many a commercial games, among them UT99, still use the OSS interface. they are designed for gamers and that's something else entirely.Įven as a gamer, I would wholeheartedly want these features. >But these creative cards aren't designed for audiophiles.

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A TAINT_CRAP flag almost certainly won't keep the driver out of Ubuntu or Fedora, and even in RHEL I can imagine a future 'kernel-drivers-unsupported' or something package with these drivers in it.

So we're not actually kicking Creative that hard for their crap driver compared to other OS vendors. So Microsoft realised that a stick wasn't working and went for the nuclear option - in x86-64 Vista AFAIU users can't click past, they get a dialog saying the driver won't work, and that's it unless they are willing to modify the OS and reboot into a clearly labelled (and unsupported) 'test mode' to use the hardware.

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Remember that Windows for a long time has reacted to crap (uncertified) drivers with big scary warning dialogs, and IHVs reacted by updating their installation instructions to say that users should just click past the scary warnings or worse, they modified the installer to move the mouse and click through on its own. i use these as examples in my plugin programming class at UCSD, so its good for me to get rid of all possible bugs! and yes, i've gotta get decimate tamed.ītw, i won't ever be charging for these.Well, TAINT_CRAP mostly flags things to developers (kernel or distro). Thumbsup on +compandthanks for all the good comments - i'll definitely look into these things. Reminded me I was alive, but didn't make me smile! I'm sure it isn't meant to work this way but I fear using it again. One of the other plug-ins (I think it was decimate?) blasted continuous, full-scale clipping when instantiated. A clipping indicator and sidechain would also be great.

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Would be cool to be able to save a color scheme.Įven though it is now free, I'd pay the price of your download version for this plug-in if all the issues above were fixed, and it was automatable (might be now, haven't checked). I like the freaky random color changes when the button in the lower right corner is clicked. It would also be cool if the dials responded to command/drag controls (Mac PTHD 7.0) and the values could be entered in finer (.5.

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I'm not complaining 'cos its free but the controls are a lil fidgety, and I've had a few instances where +compand 'forgot' its settings and went to nominal. In stereo linked mode on a pair of drum room mics, this plug can growl, pump and breathe rather monstrously! Wow, I'm really digging +compand on snare! It packs a whallop and stays tight, focused, and clear.

#Soundhack vst eula for mac

The plugins are in RTAS, VST, AU formats for Mac and Windows. in compand), and have added VST, RTAS and Windows support. This is the same as the AU release of last year, but I have fixed numerous bugs (esp. I will add these if there is enough positive feedback. There is currently no manual, or any presets.

It's very likely that I will add more small plugins to this collection in the future. At the present there are plugins for adding harmonic (+chebyshev) and inharmonic (+decimate) distortion, a gonioscope (+phasescope) for observing phase, a compressor/expander (+compand), and an MS matrix (+matrix) for decoding mid-side recordings and for matrixed effect techniques. These are all fairly simple plugins, but should be somewhat unique. I have just finished a bundle of five plugins that I developed as class demonstrations while teaching computer music and studio techniques at UC San Diego (+decimate was initially co-developed with Akira Rabelais while at CalArts).